Fall 2004
E.K. Sparks
Engl 814: Modernist London
At-A-Glance, Skeleton
Syllabus
CCM=Cambridge Companion
to Modernism
BGR=Bloomsbury Group Reader
X=Xerox Book
R=Reserve W=Web Site
1.
Tues,
Aug 24: Intro to Course; History of London: Bloomsbury, etc.
-
Course Handouts; Web Site
-
London Maps
2.
Tues, Aug 31: What is Modernism?
-
Selections from
Cambridge Companion
to Modernism
-
Back to Bloomsbury: Conference
Schedule (2004)
-
Monroe K. Spears, “The Modern
and the Past,” Chap 1 of Dionysus and the City (1970)
-
Bonnie Kime Scott, Intro to Gender
of Modernism (1990)
-
Introduction to Modernism:
Critical Concepts in Literary and Cultural Studies, ed. Tim Middleton.
(2003)
-
Christopher Reed, Intro to Bloomsbury
Rooms (2004)
3.
Tues, Sep 7: Early Modernist Poetics
a. CCM, Chap 4—Modern Poetry
b. T.E. Hulme, “Romanticism
and Classicism” (1911) (X)
c. Ezra Pound, “A Retrospect”
(1917) (X)
d. T.S. Eliot, Selections
from early crit in Kermode
4.
Tues, Sep 14: Eliot, Early Poetry
a. "La Filia Che Piagne" (Nov.
1911)
b. "Portrait of a Lady" (completed
Nov. 1911)
c. Preludes" (I, II Oct. 1910;
III July 1911; IV Nov 1911)
d. "The Love Song of J. Alfred
Prufrock" (July 1911)
e. “Prufrock’s Pervigilium”
from Inventions of the March Hare (1912?) (X)
5.
Tues, Sep 21: Modernist Art
a. CCM, Chap
8 Visual Arts
b. BGR, Roger Fry, “Impressionism”
(1932)
c. BGR, Desmond McCarthy,
“The Post-Impressionists” (1911)
d. BGR, Clive Bell, “The Artistic
Problem” (1919)
e. Clive Bell, excerpt
on “significant form” from Art (X)
f. BGR, Roger Fry, “Retrospect”
from Vision and Design (1920)
g. BGR, Lytton Strachey, “Art
and Indecency” (1921)
6.
Tues, Sep 28: Modernist Art of the Story
a. Woolf , Monday
or Tuesday | Links
on Short Storeis
i. "The Mark on the
Wall"
ii. "Kew Gardens"
iii. "An Unwritten Novel"
iv. "A Haunted House"
v. "Monday or Tuesday"
vi. "Blue and Green"
b. Katherine Mansfield Stories
TBA
c. Critical essays on VW, KM,
and their relationship
7.
Tues, Oct 5: London Salons, Magazines, and Publishing
a. CCM. Chap 2 Cultural
Economy
b. Leonard Woolf
c. Lytton Strachey
d. John Middleton Murray &
Katherine Mansfield
e. Ottoine Morrell
f. The Sitwells
8.
Tues, Oct 12: The Mythic Method of Modernism
a. Eliot--The Waste
Land
b. "Ulysses, Order,
and Myth" from Kermode, ed. Selected Prose
c. Critical materials on TWL
TBA
d. The
Waste Land: Chronology, Structure, Notes, Links
9.
Tues, Oct 19: Gendering Modernism
a. CCM, Chap 8
b. Woolf : A Room of One's
Own (excerpts?)
c. Critical readings
on Gender and Modernism TBA
10.
Tues, Oct 26: The Modernist Novel: Theory
a. CCM,
Chap 3 Modernist Novel
b. Virignia Woolf, “Modern
Fiction” (X)
c. BGR, Virignia Woolf
“Mr. Bennett and Mrs. Brown”
d. BGR, Virginia Woolf,
“Ernest Hemingway” (1927)
e. Forester, Excerpts from
Aspects
of the Novel
FALL
BREAK
11.
Tues, Nov 9: Forster -- Passage to India (1924)
12.
Tues, Nov 16: Woolf—To the Lighthouse | Links
forTo The Lighthouse
13.
Tues, Nov 23: Modernist Politics
a. CCM, Chap 6 Politics
of Culture
b. BGR, Maynard Keynes, “Economic
Possibilities for Our Grandchildren” (1930)
c. BGR, E.M. Forster, “What
I Believe” (1939?)
d. BGR, Leonard Woolf, “Fear
and Politics: A Debate at the Zoo” (1925)
e. Wyndham Lewis
f. Eliot – Excerpts from later
prose in Kermode; After Strange Gods ??
g. Woolf – Excerpts from Three
Guineas ??
14.
Tues, Nov 30: Modernist London Mini-Conference: Presentations
|