EK
Sparks
Clemson University
Fall 2007
Edit Sheet for Papers # 3 and 4
Poetry Analysis
Writer's name: ________________
Editor's Name: ________________
1.
OVERVIEW/
FULFILLMENT OF ASSIGNMENT
TECHNICAL
-
Does the paper have a title? Is
it an interesting, appealing, and descriptive title?
-
Is the paper long enough?
Is it close to three full typed pages (750 wds.) long?
-
If it isn't long enough, what
has been left out?
-
Where could the writer add in
more quotes or explanations of quotes?
-
Are there at least five direct
quotations, properly punctuated?
-
Are all paraphrases legal?
Are there no garbled paraphrases (GPP) which accidentally plagiarize?
CONCEPTUAL
-
Does the choice of paper topic
lend itself well to the assignment (poetry explication or poetry analysis)?
-
Do you buy the basic interpretation?
Does it seem to make sense?
-
Does the writer present the poem
in terms of a tension between oppositions, ambiguity, or irony? Is
more than one possible interpretation discussed? Does the writer
leap too quickly towards an allegorical interpretation?
2. INTRODUCTION
Does the introduction:
-
Fully identify the topic of the
paper, including author, title, date of all texts mentioned?
-
Provide enough background about
the author, date, source, and general topic so that the average reader
can understand the historical context and the basic issues?
-
Have a thesis about the basic
meaning of the work being analyzed?
-
Is the thesis not merely descriptive?
Does it make a proposition which the rest of the paper proves?
-
Provide some kind of map of the
structure and concerns of the rest of the paper without resorting to stage
directions?
3.
ORGANIZATIONAL STRUCTURE
-
Is there a clear logic to the
structure of the paper?
-
Does the order of paragraphs make
sense?
-
Does the paper more or less follow
the structure of the work analyzed?
-
Does the paper signpost enough;
does it always keep you orientated as to where you are in the story?
4. USE OF EXAMPLES
-
Are there enough examples?
Does the writer actually prove their thesis using examples?
-
Do examples make sense?
Are they relevant to the point being made?
5. QUOTING
AND DOCUMENTATION
-
Has the writer stated the major
ideas instead of letting quotes take over his/her voice and authority?
Does the writer make the claims and use quotes only as support?
-
Has the writer quoted enough?
Is all the evidence actually included in the paper so that the reader does
not have to read through the poem to get the point?
-
Is every quote introduced so that
context and significance are clear? Do we always know who is speaking
to whom?
-
Do all quotes flow smoothly
and clearly into the grammatical structure of sentences?
-
Are all quotes properly
punctuated? (Periods go after parentheses for inserted quotations;
before parentheses in block quotes.)
-
Are quotes that are longer
than two lines indented? Has the writer remembered not
to put quote marks around indented quotes?
-
Are there quote marks around titles
of essays? Are book and magazine titles underlined? (NB: The
title of the student's paper should not be in quotes, or underlined, or
written out in block caps)
5. COSMETICS/
SURFACE ERRORS Check for major grammar
and spelling errors:
* FRAG -- fragment (no IS and/or IV)
* CS or FS -- comma splice or fused sentence (ISIV, ISIV or ISIVISIV)
* SVA -- lack of subject-verb agreement
* MC -- Mixed Construction (sentence starts out with one structure and
switches midstream)
* GCMSP -- grammatically crucial misspelling (mixes up parts of speech:
its/it's; there/their/they're; then/than)
Look especially
for commas introducing quotes. Make sure that the writer has not
created comma splices by connecting a
sentence to a quote using a comma instead of a colon. Use a colon
to connect full, independent sentences to quotes.
*CSquote --
comma slice created by joining a quote which is a full sentence with an
introduction which is a full sentence.
*,and – Make sure that
commas before co-ordinate conjunctions are only used when they are joing
two complete, independent subject-verb units.
Semi-Colons-- Are all semi-colons
correctly used so that they join two complete, independent subject-verb
units?
6. MANUSCRIPT FORM
Some
suggestions on format