ENGl 310
Clemson U
EK Sparks
Daily Glossary
Day 2: Modes
| Day 3: Frye-- Fictional Modes | Day
4: Aristotle | Day 5: Oedipus | Day
6: Frye on Tragedy | Day 7: Paper
Writing | Day 8: Drama in Performance |
Day 9: Frye--Archetypal Imagery | Day 10: Rita Dove | Day 11: the Hero's
Quest | Day 12: The Female Hero
Merriam
Webster 10th Collegiate
Gale
Resource Group On-Line Glossary
Literary
Terms (Mostly Poetry)
Day 2: Critical Reading
and Intro to Modes
-
marginalia (EKS) -- stuff written in the margins
of books, notes.
-
elegiac (Frye) ---
-
spoudias (Aristotle/Frye)
-
phaulos (Aritotle/ Frye)
-
Myth/ mythos
-
Romance
-
Marchen --
-
Mimetic
-
High and Low Mimetic
-
Irony
-
Naive vs. Sentimental literature
-
Tragic (Frye )
-- Having a plot that moves towards the separation of the main character
from society (death being the ultimate separation)
-
Comic (Frye) --
having a plot that moves towards the integration of the main character
with society
-
epistemology (EKS)
-- the study of how we know. What is reality? Is it objective
or subjective? Is truth perceptible through the senses? Through divine
revelation?
-
taxonomy (EKS)
-- a system of classification whereby all the members of a particular group
are organized according to (usually) evolutionary characteristics
-
ethos (Aristotle/
Frye) -- Greek for "character"
-
Gliederung (EKS)
-- German word for skeleton, anatomy, or outline
Day 3: Frye: Comic and
Tragic Modes
-
hubris-- (Aristotle)
pride, specifically challenging the gods, arrogance or insolence (
see Oxford)
-
pathetic fallacy
(Frye)-- a natural phenomenon is seen to echo human feelings and
emotion (
see Oxford)
-
archetype-- greek
word for "old form", repeated symbols, plots, etc. (
See Oxford)
-
alazon (Frye) --
imposter, character who believes they are better than they actually are
-
eiron (Frye) --
character who believes they are worse than they actually are
-
hamartia (Aristotle)--
flaw, error, or mistep which leads to protagonist's fall
-
encyclopedic (Frye)
-- literarry forms which emphasize theme rather than plot and wihch try
to represent the whole of a community's knowledge
-
episodic (Frye)
-- literary forms which emphasize theme rather than plot and respresent
the individual speaker's mind or opinions.
Day 4: Aristotle, Poetics
-
reversal or peripetia
(Aristotle)
-- (
See Oxford)
-
recognition or anagnorisis
(Aristotle) -- (
See Oxford)
-
recognition by marks or tokens
(a birthmark, amulet etc.)
-
deus
ex machina -- inartistic, obviously maniplated resolution
-
recognition through memory
-
recognition through reasoning
-- it is figured out
-
simple and complex plots
-
pity and fear
-
pathos or suffering
-
spectacle
-
catharsis --
-
probability
-
in media res
-
poetic justice
Day 5: Oedipus
-
Exposition
-
Parode
-
Complication
-
Agon
Day 6: Frye on
Comic Characters and Tragedy
-
alazon
(Frye 172)
-
eiron
(Frye (172-4)
-
senex
iratus
-
miles
gloriosus
-
dolosus
servus (Frye 173) a.k.a. trickster, vice
-
buffoon (Frye 175)
-
agroikos
(frye 175-6)
-
"epiphany of law" (Frye 208)
-
lex
talionis -- law
of revenge (Frye 208)
-
nemesis
(Frye 209) --
-
proairesis (Frye 212): a difficult
choice
-
quantum mutatus ab illo:
(Frye 212) How changed from what he was. How greatly changed from
that Hector who came back arrayed in the armour of Achilles! Virgil:
The
Aeneid: Book 2, Line 274
-
Augenblick
(Frye 213) -- German for blink of an eye
-
cognitio (Frye 214) -' Latin for
aquisition of knowledge
-
Dionysus vs Apollo (Frye 214-5)
-
tragic eiron (Frye 216)
-
tragic alazon (Frye 217)
-
bomolochus
or buffoon
(Frye 217) -- type of character whose function is to
intensify the mood of a piece. In comedy, the buffoons make people
laugh, increase the mood of gaity or celebration; in tragedy the buffoon
is instead the supplient whose suffering increase the mood of helplessness
and loss.
-
Agroikos
or
churl (Frye 172, 175-6) -- type of character whose function is to
go against the mood of a piece. In comedy the churl refuses to share
festivity; in a tragedy it is the critic of the tragic action
Day
7: Paper Writing I
-
Attribution
-
Stage Direction
-
Modern Language Association
Day 8: Drama
in Performance
-
Total Theater:
(environmental theater) theater tecnique that blurrs the lines between
audience and characters, they becoome indistinguishable, combines acting
spaces
-
Super Objective:
(spine of character) the ultimate desire,
goal, or objective, of the character, driving force throughout play
-
Objective:
more minor, moment to moment tasks or goals that lead to the super objective
-
Backstory:
history behind the characters and events, filled in simultaneously as the
play goes foward
-
Throughline:
a character's personal and unique journey through a play
-
Crosses:
when characters and their objective meet, sometimes works metaphorically
Day 9: Frye--Archetypal
Imagery
-
trompe
l'oeil -- French for "trick the eye": a painting that convinces
the observer that it is three-dimensional
-
archetype
-- "the original pattern or model of which all things of the same type
are representations or copies...a perfect example" (MW11th)
-
anagogic:
"interpretation of a word, passage, or text (as of Scripture or poetry)
that finds beyond the literal, allegorical, and moral senses a fourth and
ultimate spiritual or mystical sense" (MW11th).
-
typology
- system of 4-fold interpretation of the New Testament
-
literal
-
allegorical (relating to Old
Testament or the Church)
-
tropological (moral: relating
to the life of the indiviudal Christian)
-
anagogical (relating to the
end of things-- parallels to Revelations)
-
apocalyptic
imagery -- imagery surrounding heaven
-
Demonic
imagery -- imagery of hell
-
pharmakos
(Greek)-- scapegoat or sacrificial victim; the one who is bears the burden
of the community's sin and is cast out so the community can remain whole.
Shirley Jackson, "The Lottery"
Day 10:
Rita Dove
Day
11: the Hero's Quest
-
liminal:
in between place/ transitional zone MW11: "Etymology: Latin limin-, limen
threshold: of or relating to a sensory threshold; barely perceptible"
-
crepuscular--
of or relating to twlight
-
sparagmos (Greek):
ritual dismemberment, death, disfiguration (literally "tering apart,
as Dionysius is torn apart in the Bacchae)
-
The Hanged
Man: Tarot image of rebirth/ resurection. The
Tarot Card
-
apotheosis:
becoming a god. MW 11: "elevation to divine status : DEIFICATION; the perfect
example : QUINTESSENCE <this is the literary apotheosis of the shaggy
dog story -- Thomas Sutcliffe>" Dickey describes napalm as "the apotheosis
of gelatin" in his poem "The Firebombing"
-
Separation/
Initiation/ Return -- three stages of the monomyth
according to Joseph Campbell
Day
12: The Female Hero
-
monomyth--
-
heroine/ female hero
-
Day 16-17: Poetry Analysis
and the New Criticism
Day 24: Literary Research
-
Definitive Text
-
Primary (descriptive) bibliography
-
annotated secondary biblio
-
DLB
-
Twayne Book
-
Norton Critical Edition