Matrix For Virginia Woolf and Georgia O'Keeffe

Works Published by Georgia O'Keeffe:

    • "Black Spot" 71.6 (Dec. 1921): f.p. 664.
    • "The Flagpole" -- 2 paintings. 78.5 (May 1925) f.p. 380. Right before VW piece
    • "Alligator Pear" 79.2 (August 1925): f.p. 120.

Works about O'Keefee

    • Thomas Jewell Craven. "The Awakening of the Academy." 70.6 (June 1921) 673-8.
      Account of the 1913 Armory Exhibit. pp. 676 -- mentions OK as one of a group of new symbolists
    • Paul Rosenfeld "American Painting" 71.6 (December 1921) 663-70.
      Ryder, then section three on Marin, Dove, and OK. Two illustrations for article: one Ryder, the other "Black Spot" by OK. This is the most egregiously sexist of Rosenfeld's reviews -- the one about gigantic climaxes
    • Thomas Craven, "Living Art," Rev. of Scofield Thayer's volume of reproductions from The Dial Collection, 74.2 (February 1924) 180-3.
      O'Keeffe cited as an interesting contrast to Marie Laurencin, 182.
    • Paul Rosenfeld, "Musical Chronicle" 78.6 (June 1925) 530-31.
      Announcement of American intellectual self-sufficiency; mentions Dove and O'Keeffe
    • Charles Demuth, "Poster Portrait of Georgia O'Keeffe" (August 1925)
    • Comment. 79.2 (August 1925): 177-8
      On Anderson Gallery show, including O'Keeffe
    • Henry McBride, "Modern Art," 80.5 (May 1926) 436-9
      Intimate Gallery: Marin, O'Keeffe -- need to listen to what women say of her
    • Henry McBride, "Modern Art," 80.6 (June 1926) 525-7
      Stella, Demuth, Byrchfiled; mention of OK in a list of newer artists we must like
    • Henry McBride, "Modern Art," 82.3 (March 1927) 261-3
      Matisse; O'Keeffe "The feminine ace of the Intimate Gallery" -- quotes about color and about Eternal Woman; announcement of big flowers

Works Published by Virginia Woolf:

    • Virginia Woolf, "Mrs. Dalloway in Bond Street," 75.1 (July 1923) 20-27.
    • "Miss Ormerod" 77.6 (Dec. 1924) 466-74
    • "Lives of the Obscure" 78.5 (May 1925): 381-90.

Works about Woolf:

    • Ford Maddox Hueffer, "Thus to Revisit" V (British novelists 69.3 (September 1920) 197-9
      New writers -- V. Woolf mentioned on 245 as "representing the lingering tradition of George Eliot"
    • Kenneth Burke, "The Modern English Novel Plus." Rev. of Night and Day and The Voyage Out. 70.5 (May 1921) 572-5.
    • T.S. Eliot. "London Letter" 71.1 (July 1921) : 213-7
      Includes rev. of Strachey's Queen Victoria and comment on VW
    • Briefer Mention -- 72.2 (Feb 1922)
      Short rev. of Monday or Tuesday by VW. Joins her with Katherine Mansfield, Dorothy Richardson and T.S. Eliot as "four compass points of ultra-modern tea"
    • Raymond Mortimer, "London Letter" 74.2 (Feb 1923)
      autumn "brought from Virginia Woolf a new and exciting novel" 187
    • David Garnett. Rev. of Jacob's Room, 75.1 (July 1923) 83-6.
    • Alyse Gregory, "Mrs. Scott's escapade," Rev. of Escapade by Evelyn Scott, 75.6 (December 1923) 598-9
      "In America where there are no Rebecca Wests, May Sinclairs, or Virginia Woolfs, one is forced to make a place for so able a writer as Evelyn Scott. . . "
    • Clive Bell. "Virginia Woolf." 77.6 (Dec 1924): 451-65
    • Briefer Mention of Mrs. Dalloway. 79.4 (Oct 1925): 352
    • Comment 80.2 (Feb 1926) 176-8
      discusses Hogarth Essays: mentions Fry, "Mr. Bennett and Mrs Brown"
    • Conrad Aiken, "The Novel as Work of Art," rev of To the Lighthouse. 83.1 (July 1927): 41-4
    • Briefer Mention of Kew Gardens. 84.3 (March 1928): 251
    • Conrad Aiken, rev of Orlando 86.2 (Feb 1929): 147-9


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