-
I. The Burial of the Dead (asking
the question; starting the journey; crossing the threshold)
-
II. A Game of Chess (the first
incomplete, unsatisfactory answer: sex without love in marriage; the road
of trials)
-
III. The Fire Sermon (a second
unsatisfactory answer: sex without love outside marriage; various temptations)
-
IV. Death by Water (the nadir,
sparagmos, symbolic death)
-
V. What the Thunder Said (the
final hopeful, or at least on-going answer; reconciliation with parental
figures, the return )
One way to understand the
structure of The Waste Land is to see it as a traditional
Romantic lyric, such as Wordsworth's "Intimations Ode." In his
essay on "Structure and Style in the Greater Romatic Lyric," M.H. Abrams
defines the essential structure of these poems as the posing of a question,
(Initial vision of loss or crisis, centering on a question of renewal or
imaginative survival) followed by a series of incomplete or unsatisfactory
answers, finally resolved by an answer which offers some hope or on-going
possibility.
Since The Waste Land
is a quest poem, another structural schema that you can use to look at
the poem is Joseph Campbell's account of the
hero's quest. To see a chart of the stages in the hero's journey,
illustrated in the Star Wars triology, go to my Campbell Chart.
Philip
Headings suggests that the poem uses a death-and-rebirth sequence in
many contexts: annual death-of-the king vegetation ceremonies; Christian
pattern of death and rebirth; death-rebirth of Feriand's father in The
Tempest; Dante's journey from Hell through Purgatory
Eliot's reference in his
notes to Jesse Weston's FROM RITUAL TO ROMANCE suggests that the poem may
also be read in light of the history of the grail
quest. Weston's book, among other things, draws parallels
between the development of the tarot deck and symbolism associated with
the grail. There is som discussion as to whether ELiot actually read
Weston or not, but the basic idea here is that the Fisher King (=Ferdinand)
represents the wounded hero whose healing would also heal the land.
See Brooks' essay for the full dveelopment of this idea.
-
Here is a web
site the summarizes some of Weston's ideas in the process of analyzing
Wagner's Parzival.
-
This web site has a heavily
illustrated account of more thanyou ever wanted to know about the Fisher
King.
-
This web site has a good explanation
of fertility
ceremonies and how they tie in.
-
Pat
Sloane's comments on various allusions in Eliot's poems, often explain
or question allusions to the grail quest and the tarot deck.
Tarot Deck
Lyndall Gordon's extensive
work on Eliot's life and research in unpublished manuscripts leads her
to believe that that the most important pattern buried in the WL is the religious
quest for a mystical unity with God through the purgatorial
self-mortification of a saint's life.
Greg Jay suggests that
The
Waste Land be read in the context of the pastoral
elegy: a literary context also invoked by James Miller in his T.S.
ELiot's Personal Waste Land. This ties into the idea that the
poem is a lament for the death of Jean Verdenal (and also Eliot's own father
who died early in 1919). Think in particular of how this poem relates to
Milton's
Lycidas:
-
Statement of loss-- nature
mourns
-
Invocation of Muses
-
Memory of pastoral youth
-
loss and change
-
nymphs are gone; didn't
save him
-
digression on fame
-
who was responsible? (Fountain,
sea, boat)
-
pastoral evocationof St.
Peter
-
call for return of flowers
(incomplete resurrection)
-
TURN --> Lycidas sank low
in sea but mounted high to heaven
-
realistic hope for future
Images
Link
to list of cross-referenced themes and images on Richard Parker's Exploring
the Waste Land site
Link
to all references to the seasons
on
Richard Parker's Exploring The Waste Land Site
The Elements:
|
Tarot Deck
|
Playing Cards
|
Elements
|
Waste Land
|
|
|
Clubs |
|
I. Burial of the dead |
|
|
Spades |
|
II. A Game of Chess |
|
|
Diamonds |
|
III. Fire Sermon |
|
(ace of cups = the grail) |
Hearts |
|
IV. Death by Water |
|
|
|
V. What the Thunder
Said |
References to theTempest
in WL:
-
I -- l. 48: (Those
are pearls that were his eyes. Look!)
-
II -- l. 125: Those are
pearls that were his eyes.
-
II-- l. 128: O O O O that
Shakespeherian Rag
-
III -- l. 191: Musing upon
the king my brother's wreck
192:
And on the king my father's death before him.
-
III -- l. 257: 'This music crept
by me upon the waters'
-
V -- l. 424: Fishing, with the
arid plain behind me

