The Dial Magazine:
A Selected, Annotated Table of Contents,
Vol 69 (July - December 1920)

69.1 (July 1920)

• Fsp. Kahlil Gibran, "Breath on a Window Pane"
• Arthur Rimbaud "A Season in Hell" 1-26
• James Joyce, "A Memory of the Players in a Mirror at Midnight" (poem) 26
• Kenneth Burke, "The Excursion" (short story) 27-8
• Kenneth Burke, "The Soul of Kajn Tafha" (short story) 29-32
• Ford Maddox Hueffer, "Thus to Revisit" (rev. of English literary world, esp Conrad) 52-60
Modern Forms (This department of The Dial is devoted to exposition and consideration of the less traditional types of art)
• Henry McBride, Forward 61-4
• Mina Loy, "The Pamperers" (poem/ drama) 65-78
• Gilbert Seldes, "The Mind of an Artist" Rev. of The Letters of Henry James 93-90
• Henry McBride "A Hero Worshiped" Rev. of Wilderness by Rockwell Kent 91-95

69.2 (August 1920)

• Roman Rolland, "Shakespeare the Truthteller" 109-21
• Ford Maddox Hueffer, "Thus to Revisit" III (rev. of English literary world, Conrad and James) 132-41
• Edward Shanks, "London Letter" 152-6 ( T.S. Eliot, and English criticism; Huxley's verse)
Modern Forms
• Henry McBride, "The Winter of Our Discontent" 157- 61 (Armory Exhibition in Chicago, Lachaise)
• William Carlos Williams, Six Poems 162-5
• Richard Aldington, "The Art of Poetry" 166-80 (includes poetry by H.D.)
• Stewart Davis, Four Drawings f.p. 180
• Arthur Rimbaud, "Illuminations"181-85
• Gilbert Seldes, "A Novelist of Courage" Rev of The Rescue by Joseph Conrad 191-96
• Joseph Jastrow, "The Philosophy of Personalism" (Rev. of eight books on psychology and spiritualism) 201-9

69.3 (September 1920)

• Remy de Gourmont, "Dust for Sparrows" tr. by Ezra Pound 219-224
• Ford Maddox Hueffer, "Thus to Revisit" V (British novelists 1907-9; new writers -- V. Woolf mentioned on 245 as "representing the lingering tradition of George Eliot")
• Amy Lowell, "Songs of the Pueblo Indians" 247-251
• Julien Benda, "Belphegor: Essay on the Aesthetic of Contemporary French Society" 252-6
• D. H. Lawrence, "Adolf" (short story) 269-76
Modern Forms
• Fsp. Rockwell Kent, "Father and Son"
• Henry McBride "The Democratized Arts" 279-82
• Wyndham Lewis, "Ezra Pound" (drawing) f.p. 283
• Ezra Pound, "H.S. Mauberly" 283-87
• Paul Morand, "Fever Chart" and "Sample" 278-91
• Robert Morss Lovett, "An American Morality" Rev. of The Ordeal of Mark Twain by Van Wyck Brooks 293-9
• W.C. Blum. "" Key to the Enigmas of the World" Rev. of Tertium Organum by P.D. Ouspensky 308-12
• Deems Taylor, "A Critic of Music" Rev. of Musical Portraits by Paul Rosenfeld 313-19

69.4 (October 1920)

• Fsp. "Chac-Mool" (sculpture)
• Waldo Frank, "Under the Dome" 330-40
• Richard Aldington, "The Approach to Marcel Proust" 341-46
• Marcel Proust, "Saint-Loup: " Portrait" 347-50
• Evelyn Scott, "A Contemporary of the Future" (Flaubert, Joyce, Ibsen) 353-67
• Remy de Gourmont, "Dust for Sparrows" tr. by Ezra Pound 368-71
• Julien Benda, "Belphegor: Essay on the "esthetic of Contemporary French Society" 377-91
Modern Forms
• Fsp. Paul Gaugin, "Self-Portrait" f.p. 397
• Henry McBride, "Gaugin's Re-Birth" 397-400
• Ezra Pound, "The Island of Paris: " Letter" 406-11
• Ordway Tead, "Contemporary Social Theory" (book review) 412-21
• W.C. Blum, "Super Schoolmaster" Rev. of Instigations by Ezra Pound 422-3

69.5 (November 1920)

• T.S.Eliot "The Possibility of Poetic Drama" 441-7
• George Moor, "How Heloise Passed the Winter of 1117. . . " 448-54
• William Butler Yeats, Ten Poems (Including "Michael Robartes and the Dancer," "Easter 1916," "The Second Coming") 455-66
• Emory Holloway, "Walt Whitman's Love Affairs" 473-83
• Remy de Gourmont, "Dust for Sparrows" tr. by Ezra Pound 484-8
• Julien Benda, "Belphegor: Essay on the Aesthetic of Contemporary French Society" 490-504
Modern Forms
• Fsp. Jacques Lipchitz, "A Figure" (sculpture) f.p. 505
• Henry McBride, "The American Shyness" 505-8 (American writers' inability to talk of painting)
• H.D. Three Poems 509-13
• Ezra Pound, "The Island of Paris: A Letter" 515-8
• Edward Sapir, "Primitive Humanity and Anthropology" Rev. of Primitive Society by Robert H. Lowie 528-33
• Robert Bridges, "George Santayana" Review of Little EssaysÊ 534-45
• Paul Rosenfeld, Musical Chronicle, "Introit" (American lack of interest in concerts) 550-4

69.6 (December 1920)

• Fsp. Stuart Davis, "Colloque Sentimentale"
• James Stephens, "In the Beechwood" 559-57
• Julien Benda, "Belphegor: Essay on the Aesthetic of Contemporary French Society" 568-82
• Osbert Sitwell, "Malgre Lui" (poem) 583-5
• T.S.Eliot, "The Second-Order Mind" (on Matthew Arnold) 586-9.
• Fritz Vanerpyl, "Maurice Vlaminick" 590-91
• Maurice Vlaminick, Three Paintings, f.p. 590
• Raymond Mortimer, "The Baroque" 607-14
• Remy de Gourmont, "Dust for Sparrows" tr. by Ezra Pound 615-8
• Joseph Conrad, "Three Conrad Novels" (Comments on An Outcast of the Islands, Lord Jim and Nostromo) 619-30
Modern Forms
• Vincent Van Gogh, "Village of St Marie" f.p. 631
• Henry McBride, "Van Gogh in America" 631-33
• Edward P. Nagel, Three Drawings
• Ezra Pound, "The Island of Paris: A Letter" 635-39
• Paul Rosenfeld, Musical Chronicle, "The New, or National, Symphony Orchestra" 667-71
• Comment 674-6 (On censorship of Caball's Jurgen and Joyce's Ulysses)



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