The Dial Magazine:
A Selected, Annotated Table of Contents,
Vol 72 (January - June 1922)

72.1 (January 1922)

• Fsp. Oswald Herzog, "Geneissen" (sculpture)
• Thomas Jewel Craven "Love on Smoky Hill" 1-16
• Ananda Coomaraswamy, "Oriental Dances in America" 17-9
• Louis Aragon, "Madame a sa Tour Monte. . ." tr. by Gilbert Seldes 20-8
• Paul Rosenfeld, "Sherwood Anderson" 29-42
• E.E. Cummings, Five Poems
• E. E. Cummings, Four Drawings
• Ivan Bunin, "The Gentleman from San Francisco" tr. By S. S. Koteliansky and D. H. Lawrence 47-68
• Albert Bloch, Two Paintings
• C. E. Bechhofer, "Russian Letter" 69-72
• Ezra Pound, "Paris Letter" 73-78
• Robert Morss Lovett, "The Promise of Sherwood Anderson" Rev. of The Triumph of the Egg, 79-83
• Maxwell Bodenheim, "Isolation of Carved Metal" Rev. of Poems by Ezra Pound, 87-91
• Henry McBride, "Modern Art" 108-10 (American museums, watercolors, Marin)
• Paul Rosenfeld, "Musical Chronicle" 111-3 (Schoenberg)
• Gilbert Seldes, "The Theater" 114-5
• Comment, 116-8 (Announcement of Sherwood Anderson as winner of first Dial prize)

72.2 (February 1922)

• Fsp. "Movement: New York" by John Marin
• Sherwood Anderson, "I'm a Fool" 120-29
• Amy Lowell, "A Bird's-Eye of E. A. Robinson" 130-442
• D.H. Lawrence, "An Episode" 143-6
• Mina Loy, "Baby's Head" f.p. 146
• Kenneth Burke, "The Correspondence of Flaubert" 147-55
• William Carlos Williams, Two Poems 156-7
• Paul Valery, "An Evening with M Teste" tr. by Natalie Clifford Barney, 158-168
• Emory Holloway, "Childhood Traits in Whitman" 169-77
• S. Foster Damon, "The Holy Guide" (poem) 178-82
• Ezra Pound, "Paris Letter" 187-92
• Padric Colum, Rev. of Sea and Sardinia by D.H. Lawrence 193-7
• Kenneth Burke, "Heaven's Firs Law" Rev. of Sour Grapes by William Carlos Williams 197-200
• May Sinclair, "The Poems of HD." Rev. of Hyman, 203-7
• Thomas Jewel Craven, "Another Outline of History" Rev. of History of Art by Elie Faure, 208-10
• Gilbert Seldes, "Documents" Rev. of two volumes of Nietzsche's letters, 211-14
• Briefer Mention -- short rev. of Monday or Tuesday by VW. Joins her with Katherine Mansfield, Dorothy Richardson and T.S. Eliot as "four compass points of ultra-modern tea"
• Henry McBride, "Modern Art" 221-4(Herman Melville, Thomas Eakins)
• Paul Rosenfeld, "Musical Chronicle" 225-9 (Camille Saint-Saens)
• Gilbert Seldes, "The Theater" 230-1
• Comment 232-4 (lack of development of American art)

72.3 (March 1922)

• Fsp. Gaston Lachaise, "A Portrait"
• A. E. Coppard, "Broadsheet Ballad" 235-41
• Stewart Mitchell, "A Century of Shelley" 246-58
• Manuel Komroff, "The Burning Beard" 259-64
• Gabrielle Buffet, "Guillaume "pollinaire" 267-72
• Carl Sandburg, "Slabs of the Sunburnt West" (poem) 278-85
• Llewelyn Powys, "Glimpses of Thomas Hardy" 286-90
• William Zorach, Two Wood Carvings, f.p. 290
• Raymond Mortimer, "London Letter" 291-7 (Drama: Heartbreak House; Ballet: Diaghileff; Fine Arts: London group (including Vanessa Bell) vs. X Group (led by Wydhman Lewis) and Sickert)
• John Eglinton, "Dublin Letter" 298-301
• Padric Colum, "A New Dramatic Art" Rev. of Four Plays for Dancers by W.B. Yeats. 302-4
• A.L. Kroeber, "A Study of Language" rev. of Language by Edward Sapir 314-7
• Gilbert Seldes, "The Art of the Novel" Rev. of The Craft of Fiction by Percy Lubbock 318-22
• Henry McBride, "Modern Art" 329-31 (John Marin)
• Paul Rosenfeld, "Musical Chronicle" 332-36 (Ornstein piano sonatas)
• Gilbert Seldes, "The Theater" 337-41
• Comment, 342-4 (American arts)

72.4 (April 1922)

• Fsp. Alfeo Faggi, "Dante" (sculpture)
• Conrad Aiken, "The Dark City" 345-53
• E.E. Cummings, "Poem" 354-5
• Bertrand Russell, "Chinese Civilization and the West" 356-64
• Henri Matisse, "An Etching" f.p. 364
• Benedetto Croce, "Geroges Sand" 385-92
• Kenneth Burke, "Portrait of an Arrived Critic" (story) 398-400
• Ezra Pound, "Paris Letter" 401-5
• Edward Moore, "Prague Letter" 406-11
• Vivian Shaw, "This Side of Innocence" Rev. of The Beautiful and the Damned by F. Scott Fitzgerald, 419-21 (pretty negative)
• Henry McBride, "Modern Art" 436-8 (Stieglitz's auction at the Anderson Galleries)
• Paul Rosenfeld, "Musical Chronicle" 439-43 (Prokofieff)
• Gilbert Seldes, "The Theater" 444-5 (Shaw, Al Jolson)
• Comment, 446-8 (censorship)

72.5 (May 1922)

• Fsp. Henri Rousseau, "La Carriole de M. Juniet"
• William Butler Yeats, "More Memories" 449-62
• Mary Butts, "Change" 465-470
• D.H. Lawrence, "The Fox" 471-92
• Ben Benn, Two Studies
• Clarkson Crane, "The Fall of Soissons" 498-504
• Alexander Archipenko, Two Figures (sculpture) f.p. 504
• Ezra Pound, "Eight Canto" 505-09
• T.S. Eliot, "London Letter" 510-13 (moral cowardice of literary London)
• James Harvey Robinson, "The Revolution in Ethical Theory" Rev. of Human Nature and Conduct by John Dewey, 514-6
• Malcolm Cowley, "Bonded Translation" Rev. of Fir-Flower Tablets, Poem translated from the Chinese by Florence Ayscough 517-21
• Gilbert Seldes, "Prologue to an Edition" Rev. of three books about Max Beerbohm, 522-26
• Kenneth Burke, "Fides Quaerens Intellectum" Rev. of The Religion of Plato by Paul Elmer More, 527-30
• Raymond Mortimer, "Miss Sinclair Again" Rev, of Life and Death of Harriet Frean by May Sinclair, 531-34
• Henry McBride, "Modern Art" 540-2 (newspaper stories, Brancusi)
• Paul Rosenfeld, "Musical Chronicle" 543-7 (very negaative review of season of cannibalization of music)
• Gilbert Seldes, "The Theater"548-9 (O'Neill)
• Comment 550-2 (New Republic's support of import tax on foreign books, announcement of Edwin Arlington Robinson as winner of Dial prize for 1921)

72.6 (June 1922)

• Fsp. Charles Demuth, "Acrobats"
• G. Santayana, "Marginal Notes on Civilization in the United States" 553-68
• D.H. Lawrence, "The Fox II" 569-90
• William Butler Yeats, "More Memories" 591-600
• Pablo Picasso, Two Drawings
• Conrad Aiken, "Soliloquy on a park Bench" 601-5
• Hart Crane, "Praise of an Urn" (poem) 606
• Herman Hesse, "The Brothers Karamozov -- The Downfall of Europe" tr. By Stephen Hudson 607-18
• John Eglinton, "Dublin Letter" 619-22
• Stewart Davis, "James Joyce" (sketch) f.p. 622
• Ezra Pound, "Paris Letter" 623-9 (on Joyce's Ulysses)
• Raymond Mortimer, "Bombination" Rev. of Crome Yellow by Aldous Huxley 630-33
• Briefer Mention of Streaks of Life by Ethel Smyth, 650
• Henry McBride, "Modern Art" 652- 4(Marin, Yasuo Kiniyoshi; some kind of split among Independents)
• Paul Rosenfeld, "Musical Chronicle" 655-59 (Independent gallery exhibition -- laughter; concert at the MsDowell gallery)
• Gilbert Seldes, "The Theater" 660-1
• Comment, 662-4 (Ulysses)

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